Questions and answers with Philip Lee Williams about his
book In the Morning: Reflections from First Light.
How can you possibly stand morning? Most people despise getting
up.
Honestly, I think it’s genetic. There is increasing evidence that
some people have a so-called “sentinel gene” that makes them
awaken instantly and early and be ready for their day. I’m like
a dog—I wake up, shake once, and am ready to go. Morning has always
been my favorite time of day—especially dawn.
What made you decide to write a book about morning?
The truth is that I wanted to read one and simply couldn’t find
anything that interested me. There haven’t been very many books
written about morning, so I decided to write one. The process took several
years, writing and honing, selecting chapters to keep and others to discard.
I enormously enjoyed writing this book.
Have you found many people who are morning lovers like you?
I think most people finding rising in the morning difficult and painful.
But morning-lovers are an ardent group and a little like left-handers—common
enough but still a bit unusual. I know one thing. If you go into any
group and ask if people are morning lovers, it will touch off a loud
and endless discussion, and one filled with hilarious stories.
Why did you include so much about the science of morning and
circadian rhythms?
I have been a professional science writer at the University of Georgia
for the past 21 years and am a member of the National Association of Science
Writers. Though my professional training is only the coursework from an
AB in college, I have been a science nerd most of my life, fascinated
every day by that world.
Do you consider yourself a naturalist?
Not really. I consider myself someone who has spent most of his life in
the natural world, studying it with great interest and endless affection.
I can sit and watch ants for hours and sometimes do. My wife and I have
contributed to environmental causes for years, though, and we are enthusiastically “green” and
always will be.
What is special about this book?
I hope it helps focus the reader’s attention on the rich possibilities
of morning—in the natural world, in the arts, and in our lives.
But isn’t that sort of self-evident? After all, every
day has a morning.
Not really. People are busy, and meditating on aspects of anything requires
the luxury of leisure. I have been fortunate to have that time and to
live on a dirt road in the country where the real world doesn’t
often intrude.
Do you consider yourself a nature writer, then?
I do. Most of my books have a strong involvement with the natural world.
As a rural person, it could hardly be otherwise for me. My book Crossing
Wildcat Ridge (University of Georgia Press, 1999) was my first full-length
non-fiction nature writing book.
Will you write more about the natural world?
I certainly hope so. That is one of the great passions of my life. I am
not much of a polemicist or firebrand, but in my own quiet way I am trying
to support spokesmen for environmental sanity. I believe we are heading
in a tragically wrong direction now in this country, and we must elect
leaders who understand science and don’t try to make it up for
political purposes.
What did you do this morning?
The same thing I always do. I got up at 4:15, let
my beagle Murphy out, made some coffee, and then went to my desk to write.
Besides family, that’s
the great joy of my life.
Symphony No. 17: Tenebrae
This symphony is subtitled "Tenebrae," which is a religious service in the Christian church but literally means "shadows" or "darkness" in Latin. It is a quiet, contemplative symphony, a single movement for full orchestra. (29'48")
Symphony No. 18: For the Civil Rights Martyrs
This work is subtitled "For the Civil Rights Martyrs" and is in memory of James Chaney, Andrew Goodman, and Michael Schwerner, murdered in Mississippi in the summer of 1964 while working for Civil Rights. It is also in memory of all who died in the struggle. It is in two movements, "The Lynching" and "Souls."
One: The Lynching (15'25")
Two: Souls (14'25")